Truman
Capote was nothing like what I imagined he would be. I met him when he came to
speak at my alma mater. The university organization that sponsored his visit
invited me to sketch him for the two days that he was on campus. As a freelance
illustrator, I took a black ink pen and a large pad of paper to the airport
where three of us students picked up Capote.
My friends
were worried that I would imitate Capote’s distinctive voice. I had a knack for
being able to sound exactly like the author of Breakfast at Tiffany’s and In
Cold Blood, but I refrained from impersonating him. I had no desire to be
rude to such a famous writer.
Capote was
a regular on television talk shows and late-night programs, and I always
listened carefully to his insights into writing. I admired his having built a
towering career on the rocky foundation of his lonely, troubled upbringing. I
should have felt so in awe of him as to make me too shy to say anything to him,
but I had the bravado of youth on my side. At the terminal, I strode up to
Capote, shook hands, and said hi. “I’m pleased to meet you,” he said with a
grace that I still recall vividly.
One of My Sketches of Capote |
I sat
across from Capote for the ride to the university and made a sketch. He was
wearing sunglasses. He asked if there were popular authors from the area, and I
mentioned Kurt Vonnegut. Capote appeared surprised, saying something like “Oh,
is he from here?”
During the
hour in the car, Capote talked about his friends. He spoke of “Jackie” Kennedy
Onassis in terms of deepest respect. He said he admired her intelligence. He
wanted us to understand that she was much more three-dimensional than the media
portrayed her.
I soon
developed the lasting impression that Capote was far kinder than he came across
as being when he was entertaining fans from his perch in a chair across from
Johnny Carson.
Biographers
have reported that it was during this time that Capote’s alcoholism was gaining
the upper hand. Soon after I met him, Capote published “La Côte Basque 1965,”
which instigated the backlash that contributed to his eventual demise. For
whatever it may be worth this long after Capote’s death in 1984, I can say that
he did not appear to be an alcoholic for the two days
that I spoke with him. I was told he had a drink at dinner to settle his nerves
before he spoke to a packed auditorium.
My Drawing of Capote Reading |
A front-row
seat was reserved for me, so that I could draw a picture of Capote during his
reading. I stood beside him in the wings until it was time for him to go on. At
the last minute, he looked around and asked if I could find him a chair. A
stage manager’s hairpin café chair stood in the corner. I handed it to Capote,
and he thanked me.
He had a
book of short stories in his hand. I felt pleased by Capote’s next question: “Have
you a favorite story you’d like me to read?”
“Do you
have ‘A Christmas Memory’?”
Capote
replied, “Yes, I think it’s here.” He turned to the page, stuck a finger in the
book, lifted the chair with his free hand, smiled, and strode beneath the
lights to thunderous applause.
I ran down
the side stairway and out into the auditorium. I ducked into my seat just as
Capote began repeating his thanks to quiet the crowd. He swung the chair before
him, straddled it, propped the book on the back, and said without fanfare, “I
want to read for you my short story ‘A Christmas Memory.’”
What ensued
was breathtaking: a heart-wrenching story written incomparably well and
pronounced with quiet passion. I have heard many authors read from their work.
Capote’s reading was one of the two best readings I have ever heard. When
Capote reached the final word and gradually closed his book, the hush was
extraordinary. From somewhere in the darkness of the vast hall came a muffled
sob. The clapping began. It grew and grew until everyone was standing and
applauding with no intention of quitting.
Capote,
too, stood. He bowed politely again and again. I could tell he was genuinely
moved by the outpouring of appreciation from the assembly. He waved his hand to
permit the audience to be seated, and he took questions. A professor asked,
“What authors do you read?”
“I read many
authors, but Kurt Vonnegut comes to mind.” Capote’s answer drew immediate
applause.
Capote graciously
replied to numerous questions. He then thanked the audience, which resumed the
standing ovation while he walked humbly offstage.
The next
morning, we students took Capote back to the airport. He shook our hands and
said goodbye, then he asked me, “Could I see your drawings?” I handed him my
pad of paper. He paged through the sketches. When he arrived at the one
depicting him reading from the café chair, he said excitedly, “I must have this
one for my apartment in New York. May I have it?”
Capote's Signature on One of My Sketches |
“Yes, if I
can make a photocopy first,” I said. I inquired at the ticket counter if
someone could copy my portrait of Truman Capote, and an agent took my drawing
into a back room. He soon emerged with two of the slick gray photocopies that
obviously came from one of the first generation of photocopiers. While the
pages were not the best, I gladly accepted them. When I handed the original art
to Capote, he was grateful. He carefully placed the drawing in his bag. I felt honored when he volunteered to sign the likeness I had drawn on the trip to the university.
When he
walked down the aisle to the waiting plane, I began to realize just how
fortunate I had been to have shared most of two days with a genius.