When
Buttercup was a newborn, velvety, wobbly calf, my parents, my brother, and I
knew she was special. We had a small herd of purebred Holstein cows and were
always seeking calves with the characteristics deemed best for the breed.
Buttercup had many of those qualities. More importantly, she was full of life.
“Full of
life” is a description that I just now chose after first struggling to think of
a way to pinpoint exactly what made Buttercup so different. By the expression,
I mean that she loved every minute of existence, she felt curious about
everything in her environment, she adored attention, and she looked forward to
the county fair every year.
My
reference to the county fair deserves explanation. After her positive
experience at her first fair, when she won a championship ribbon in the coliseum,
she understood that she was going to return to the fairgrounds a year later,
and she stepped confidently into the pickup truck to be hauled there. The darling
of children, Buttercup occupied a corner stall in the dairy barn. She extended
her nose and graceful neck toward boys and girls who ran up to pet her
throughout the sunny days. She mooed pleasantly and fluttered her long lashes
in a pretense of being bashful.
She knew
she was divine. Never conceited, though, she would not permit her recognition
of her own beauty to turn her head; rather, she kept the common touch, kindly
nuzzling the hands of children.
In the
ring, Buttercup remained calm. Her poise was remarkable. She quickly developed
a rapport with the judge and played him like a fiddle. My brother showed
Buttercup, but, really, she showed herself. She had complete knowledge of what
was expected of her, and she delivered, posing to best advantage, striding like
a fashion model on the runway, winking seductively at the judge. When my
brother was handed yet another championship ribbon, Buttercup smiled, as if to
say, “But of course!”
I was only
a youngster. I wore a purple cap made to resemble Scrooge McDuck, Donald Duck’s
uncle. The bill was orange plastic and quacked when squeezed. I spent warm
afternoons at the fair sitting in the windowsill next to Buttercup and talking
with kids my age who were petting the beloved cow. I was proud of my
duck-billed hat, but I was even prouder of Buttercup, whose celebrity status
made me feel out of the ordinary.
Buttercup
visited the fair for as many years as she was qualified, and she lived for many
more years on our farm. She gave birth to calves. We kept hoping she would have
a calf just like her, but fate and genetics did not oblige.
She was
pampered; of that fact there can be no doubt. Even so, she did not allow
herself to become spoiled.
When the
pain of old age came to her, we asked the vet to do all in his power to keep Buttercup
comfortable, and, when she died, we dug a deep hole and buried her on the farm:
a tribute extended to only one cow.
Over thirty
years later, I was invited to perform my play on Edgar A. Poe at Berea College.
My host on campus was Neil Di Teresa, a brilliant artist. Neil happened to be
working on a large canvas depicting a Holstein. The moment I saw the work, I
exclaimed, “That’s just like Buttercup!”
“What did
you say?” Neil asked.
“I said
that your cow looks just like Buttercup,” I replied. The painting so perfectly
captured the enchanting aura of Buttercup that I joyfully told Neil the story
of my family’s favorite cow.
“I’ve been
trying to think of a title for my painting,” Neil said, “and you just gave it
to me.”
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