West
Lafayette and Lafayette, Indiana, offered my parents many opportunities. We
attended concerts and plays at Purdue University, and we frequently ate at the
Union Building on the Purdue campus. In Lafayette, I took lessons on piano and
clarinet. (I wound up passing my audition for the Indiana University School of
Music as a piano major, although I later switched majors to English, and I
played clarinet in the IU band program for nine years.) When I was very young,
I performed in plays at Columbian Park. As we were often in Lafayette or West
Lafayette, Smitty’s was a frequent destination. It was an independent grocery
store that was big for its day. Following my parents up and down the aisles
felt like being in a spacious state-of-the-art facility with every food on
earth conveniently displayed.
My
Photograph of Miss Ella Beegle
My
First Piano Teacher
In
Front of Her Home in Lafayette, Indiana
|
One of my
childhood memories is having seen Purdue freshmen wearing beanies (a tradition
at the time). In the throngs of people that crossed State Street were numerous
international students, often in clothing from their countries. I was conscious
of the fact that the world had come visiting a campus so near to my home. I
knew I was destined to attend college. My mother insisted on my doing so. But I
never dreamed I would earn three degrees, including the PhD in literature and
would teach in a university for thirty-four years!
My first
piano teacher, Miss Ella Beegle, had a studio at the top of a building that
housed Allen’s Dance Studio across from the Journal
& Courier newspaper headquarters. She was considerably older than my
parents and was a kind, gracious woman who could hardly bring herself to
correct a student. Eventually, she offered lessons from her home in half of a
large, white house opposite the public library. While my brother took his
lessons, I read books by Gene Stratton–Porter while seated in a deep window at
the back of the library stacks. When Miss Beegle retired, I still had two
years of high school ahead of me. (My brother was already attending college.) She
recommended that I continue my training with Miss Ruth Jamieson.
Miss
Ruth Jamieson’s Photograph of Me
Playing
the Piano in Her Apartment in 1972
|
What a huge
change! Miss Jamieson had a small apartment above a men’s clothing store near
Purdue. I trudged up several flights of stairs that snapped as if they would
break. In the gloom at the top, a dim light bulb, yellowed with grime, hung with
no shade at the end of a dirty cord. I knocked, and Miss Jamieson swung open
the door with her characteristic impulsiveness. Her piano was a reddish
upright, nothing like the twin grand pianos that Miss Beegle owned. Miss
Jamieson’s reading material lay wherever it fell on the sofa or on the carpet.
Strings of beads separated her tiny living room from her kitchen, and, every
now and then, she unexpectedly leapt up from her rocking chair, dove through
the beads (which tinkled against one another), and returned with a heavily
scented hand cream that she rubbed vigorously between her palms. For the first
year of lessons, she negatively criticized every facet of my playing. Quite
often, as I stood on a windy street corner waiting for my parents to pick me up
after a lesson, I thought about quitting. At the beginning of my training under
Miss Jamieson’s sharp tutelage, I could hardly have predicted that she would
occupy the same place in my affections as a dearly loved aunt or that she would
build me back up after tearing me down, transforming my playing until I was one
of two students out of twenty accepted into the prestigious School of Music at
IU on the day that I auditioned.
Photo
of Me on Stage in Recital Hall
At
Indiana University
Photograph
by Randy Prange
|
In the
beginning of my studies with Miss Jamieson, I often stumbled. At my first
recital in Duncan Hall,
I became lost in the movement of the Beethoven Sonata that I had memorized. My
fingers flailed around, striking wrong notes in all directions. Instead of
feeling horror or shame, I smiled. Why? Because, in my mind’s eye, I could just
see the dramatic Miss Jamieson backstage, groaning, swooning, and falling to
the floor.
Miss
Jamieson designed separate exercises for each of my fingers, and she coined
fascinating expressions to help me overcome difficult passages in the music.
For a rapid run in a Beethoven Sonata, she said, “It’s like small monkeys
scurrying up trees in the jungle.” Somehow, that description made it possible
for me to play the run accurately every time. When she was young, she had
studied in France for a lengthy period, and she affected a French manner,
calling me “Ro-BAIR,” instead of Robert. As I look back, I think, “What a
character!” She has been gone for many years, and I wonder how the earth can
get along without such a powerful personality!