When we
lived on the edge of town and it was my turn to fetch the cows, I set out—say,
on a summer’s eve—through a wide gate secured by a stout wire. The barn stood
behind me, and the meadow stretched beyond me. I sauntered along the path the
cows had made. A narrow and dusty line, the path snaked through the pasture. It
remained visible several feet ahead but kept curving out of sight. The farther
it went, the thinner it became as the clover and timothy vied with the dried
ribbon of earth.
Cows in the Pasture
Drawing by Henry Singlewood Bisbing
(1849–1933)
Engraved by Charles H. Reed (1843–?)
In An
Elegy Written in a Country Churchyard
Philadelphia, J. B. Lippincott Co.,
1885
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Around me was
a cacophony of insect music. Katydids (both broad and narrow) and snowy tree crickets
were keening so loudly that I could hardly hear myself talk. Cabbage
butterflies, alfalfa butterflies, and sulphur butterflies flitted and bobbed
like winking waves of light. Monarch butterflies and black swallowtails sailed
on updrafts of heat.
The
countryside smelled like rich chamomile tea. The herbage ranged from ochre to
green, from yellow to tan. As I drifted along, my mind became less focused,
more detached—almost as if I were observing myself from above but not
recognizing myself as myself.
Having
almost reached the fence bordering the meadow on the east, I found the cows.
The dozen or so Holsteins were standing in the shade of a venerable tree with
widely arching branches that made it seem out of place with no giraffes nearby.
The cows were chewing their cud and regarding me through deep blue eyes with
long lashes. Now and then, their tails swung indolently to try to discourage
flies that were hardly inconvenienced by the motion.
I spoke to
the leader, calling her by her name: “Buttercup, it’s time.” Slowly, she
gathered her hooves beneath her weight then launched forward like a swaying
ship. One by one, the others fell into place behind her. Buttercup joined the
trail near me. I stood politely, waiting for each cow to get in line. When the
last cow passed me, I began to stroll along at the end of the small herd, and I
kept pace with the cows.
Black-and-white
spotted flanks and rumps tilted to one side then the other, oscillating and
undulating in sleep-inducing rhythms. Swinging in slow motion, the Holsteins
followed the path exactly. I wondered why the trail bent and curved so often.
When the first cow charted the route, was she simply unable to draw a straight
line, or did she obey a secret feng shui known only to cows?
Eventually,
the Holsteins filed through the gate, and my father called to them, welcoming
them into the barn for milking. They were so tame that they required no
persuasion; they honored my father’s invitation.
Robert I love your writing, allowing me to visualize the cows swaying along the path.
ReplyDeleteI am so pleased that you enjoy my writing!
ReplyDelete