When I was in high school, my family lived a couple of miles southeast of Pine Village, Indiana. Across the gravel road were open fields, but a small group of trees broke the level line of the horizon. I yearned to investigate them, yet I felt constrained by the sense that I might be trespassing on neighbor Agnes Moore’s farm. If I were to ask her permission to walk among the trees, she would wonder why I asked. I kept denying myself the opportunity to visit the copse, until a day arrived when I indulged my curiosity.
At the Entrance to the Copse
Drawing by H. Bolton Jones (1848–1927)
Engraved by Robert Hoskin (1842–?)
In
The Closing Scene
Philadelphia,
J. B. Lippincott Co., 1887
|
Sneaking
across the road, down through the shallow ditch, and over the freshly plowed
surface of the field, I nervously glanced from side to side. Neighbors could
be seeing me, it seemed—when, in all likelihood, no one saw me. The nearest of
our neighbors occupied farmhouses spread far apart along the road. Out of
breath from the exertion of scurrying through plowed ground, I dashed through
the verge of last year’s weedy growth and plunged into the darkness of the wooded
area.
It was as
circular as if measured by a surveyor. It sloped ever so gently toward the
middle and may have been a ten-acre sinkhole or, at least, a damp saucer-shaped
depression formed by an underground spring. The trees were a mixture of willows
and cottonwoods. A few of the latter variety boasted enormous trunks. The limbs
formed only a partial shade, as they were just leafing out. The tiny
wildflowers called “spring beauties” carpeted the ground among the roots.
Then I came
upon a circle of cardinal feathers. They may have been left by a farm cat, but
they formed such an exact circle with every feather perfectly placed! I felt a
sense of awe. It was as if I were seeing a symbol left where nobody would see
it, yet I had stumbled upon it. What was its meaning? The experience was
spiritual, although I cannot define what I mean by “spiritual,” no matter how
“spiritual” it indeed was. The red tufts fairly glowed among the willows.
I quietly
withdrew. Long after my moment in the
woods, I regarded the spot from afar and considered it an example of the Creator’s attention to detail.
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