Samuel C. Fenton (1877–1921) may have been high strung, but he was a talented
musician in Pine Village, Indiana. On hot summer evenings, residents sat on
their porches and listened to his melodious playing. He performed with several
bands in northwestern Indiana. Ultimately, Samuel played cornet in the
well-known band led by Arthur Willard
Pryor (1870–1942), who had served as assistant conductor of John Philip Sousa’s
band and who was a famous trombonist. Pryor composed “The Whistler and His
Dog,” a popular concert piece. Eventually, Samuel split his lip and decided to
forgo the cornet. He returned to Pine Village, where he gave piano lessons. He
was married to Bessie Ogborn (1881–1967),
daughter of Levi Ogborn. Samuel and Bessie had one daughter, Dorothy Fenton,
who became an accomplished pianist. For graduation exercises in 1919, Dorothy
joined Adele LaPlante in performing the “Poet and Peasant Overture” piano duet.
Samuel
C. Fenton
Trumpeter
in Pryor’s Band
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Musical ability, as well as artistic
talent, ran through the Fenton family. Samuel’s first cousin, Charles Albert “Charley” or “Cobbie” Cobb (1883–1931), who was the son of Magnolia “Nolia” Somerset Fenton Cobb,
played several instruments. Nolia was a professional photographer. Readers who
have been following my posts on Facebook have seen photographs of Charley
running a Reeves steam engine and a homemade tractor. I have the violin in a photograph
depicting Charley with a guitar. Charley organized his own band, known as
“Cobbie’s Band.” Lena Fenton Rhode (1884–1962), a first cousin of Samuel and
Charley, studied piano at the Chicago Conservatory. She served as pianist for
the Methodist Church in Pine Village. In her seventies, Lena continued to play
hymns, but the minister occasionally had to awaken her. By the way, Barbara
Brutus played the organ for the church, and I eventually became a church
pianist.
Charles
A. “Charley” or “Cobbie” Cobb
Cousin
of Samuel C. Fenton
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In the footsteps of my Fenton ancestors,
I briefly majored in piano performance at the undergraduate level at Indiana
University before switching to English, and I performed clarinet in ensembles
of the IU Department of Bands for nine years, while earning my bachelor’s,
master’s, and doctorate degrees. Whenever the Marching Hundred performed a
march by Sousa or Fred Jewell, I felt transported back to the era of my Fenton
ancestors. When the Summer Concert Band entertained the crowd beside Showalter
Fountain, I thought of Cobbie’s Band on July evenings bringing smiles to faces
while the fireflies flew.
Charley Cobb Holding Tuba in Center of Back Row |
Cobbie’s Band, with Charley Cobb Kneeling in Center,
Cousin Claire Rhode Standing Toward
Right,
Guy Blind Fourth from Right in Back
Row, Decoration Day 1901
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Cobbie’s
Band, Charley Cobb with Back Toward Camera
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Pine Village, Indiana, Sheet Music, Courtesy
Indiana Historical Society
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