Robert T. Rhode

Robert T. Rhode
Robert T. Rhode
Showing posts with label Showalter Fountain. Show all posts
Showing posts with label Showalter Fountain. Show all posts

Saturday, October 7, 2017

Spare Moments at My Folks' Farm 4



When I was in fifth grade, my father suggested that we visit the Nesbitt Farm in Benton County, Indiana, to consider buying a purebred Polled Hereford. (The word polled means that the cattle are born without horns.) The idea was for me to show the cow at the county fair and to start a line of pedigreed Herefords to help pay for my eventual college education.

Vicky, a Polled Hereford from Nesbitt Farm

I remember Mr. Nesbitt as having a pleasant smile and standing tall. If you wanted to produce a child’s coloring book featuring life on the farm, your farmer would look like Mr. Nesbitt. He guided us to a pasture where we could see the heifers. Immediately, one caught my eye. She had a happy expression, almost as if she shared Mr. Nesbitt’s jovial smile. I asked my father if we could buy her, and Dad consented. Mr. Nesbitt invited us into his kitchen to sign the paperwork.

Me with My Nesbitt Farm Clarinet
Pine Village High School Marching Band
Pine Village, Indiana, 1971

On a table was a clarinet in a tan case. I stared at it as if mesmerized. For some time, I had wanted to learn to play the clarinet.

“Say,” Mr. Nesbitt said, reading my mind, “you wouldn’t know of anybody in the market for a clarinet, would you? My daughter wants to sell hers.”

I thought it was too much to be gaining a lovely heifer, already a pet in my mind, and a clarinet—all in the same day. So I said nothing. Dad understood how much I wanted a clarinet, and one look at my not-daring-to-hope face told him all he needed to know.

“I guess we could consider the clarinet, too,” said my father. “How much do you want for it?”

“Fifty dollars,” replied Mr. Nesbitt.

All the way home, I carried the clarinet in my lap. My heart was racing. I could hardly believe my good fortune. I needed no further proof that I had the greatest dad in the world!

Learning to play the instrument, though, was a struggle. My parents took me to lessons at a music store in Lafayette. For the first several weeks, my teacher, a young man named Mr. Baker, kept trying to help me make a note on it. All that happened was that my breath escaped around the mouthpiece until I had puffed so much that I could puff no more. One glorious afternoon, the clarinet emitted an enormous squawk! What a thrill! Mr. Baker breathed a sigh of relief while I smiled from ear to ear.

Me in the Indiana University Marching Hundred in 1975

From that day forward, my abilities rapidly progressed. That summer, I learned that Mr. Davis, the band director in my hometown of Pine Village, was adding younger musicians to the high school band so as to make it as large as possible for the band competition at the State Fair. He accepted me into the ranks. All summer, the augmented band rehearsed on the school playground. The competition consisted of parade shows, not football field shows. From the moment when the front rank of the band crossed the starting line until the back rank stepped over the finish line, a stop watch counted the seconds. Going overtime would cost precious points. Mr. Davis had built an observation platform accessible by a ladder. From the platform, he looked down on the band to see if the lines were straight. Over the weeks of practice, the band pounded the grass into powder. The white stripes that were formed with lime disappeared into the dust.

Ray Cramer
Director of the Indiana University Marching Hundred
Photograph by Larry Crewell
Bloomington Daily Herald–Telephone, 1975

My memories of the trip to Indianapolis include gagging on the girls’ hairspray on the bus, making sure that the decorative cords around the shoulder of my uniform were in the right place, and waiting in a line of bands that stretched as far as the eye could see. In those years, over a hundred bands of smaller schools competed on the day that the Pine Village band took part. Our organization came out somewhere in the top third. I can still recall part of the melodies and part of the steps.

Me on the Undergraduate Staff
Of the Indiana University Marching Hundred
Rehearsing New Members During Band Camp
In the Old Stadium on the IU Campus, 1975
 
I named my Hereford Vicky. She lived for the rest of her long life on our farm and produced many calves, all of them as sweet-tempered as she was. They helped me meet the cost of tuition at Indiana University, where I became a fixture. I earned my bachelor’s degree, my master’s, and my doctorate at IU. For the first four years, I performed on the clarinet with the famed Marching Hundred, with the pep band during the marvelous basketball seasons when Bobby Knight was the head coach, and with the summer concert band with music performed beside the iconic Showalter Fountain. I shared the title of Outstanding Bandsman with Fred Kelly, the drum major. For the next five years (while I completed my MA and my PhD), I served on the graduate staff of the Marching Hundred and continued to play clarinet in the pep band.

So the trip to Nesbitt Farm truly shaped my future.

Sunday, January 10, 2016

Legends of Pine Village, Indiana: Trumpeter Samuel C. Fenton in Pryor’s Band



Samuel C. Fenton (1877–1921) may have been high strung, but he was a talented musician in Pine Village, Indiana. On hot summer evenings, residents sat on their porches and listened to his melodious playing. He performed with several bands in northwestern Indiana. Ultimately, Samuel played cornet in the well-known band led by Arthur Willard Pryor (1870–1942), who had served as assistant conductor of John Philip Sousa’s band and who was a famous trombonist. Pryor composed “The Whistler and His Dog,” a popular concert piece. Eventually, Samuel split his lip and decided to forgo the cornet. He returned to Pine Village, where he gave piano lessons. He was married to Bessie Ogborn (1881–1967), daughter of Levi Ogborn. Samuel and Bessie had one daughter, Dorothy Fenton, who became an accomplished pianist. For graduation exercises in 1919, Dorothy joined Adele LaPlante in performing the “Poet and Peasant Overture” piano duet.


Samuel C. Fenton
Trumpeter in Pryor’s Band

Musical ability, as well as artistic talent, ran through the Fenton family. Samuel’s first cousin, Charles Albert Charley or Cobbie Cobb (1883–1931), who was the son of Magnolia “Nolia” Somerset Fenton Cobb, played several instruments. Nolia was a professional photographer. Readers who have been following my posts on Facebook have seen photographs of Charley running a Reeves steam engine and a homemade tractor. I have the violin in a photograph depicting Charley with a guitar. Charley organized his own band, known as “Cobbie’s Band.” Lena Fenton Rhode (1884–1962), a first cousin of Samuel and Charley, studied piano at the Chicago Conservatory. She served as pianist for the Methodist Church in Pine Village. In her seventies, Lena continued to play hymns, but the minister occasionally had to awaken her. By the way, Barbara Brutus played the organ for the church, and I eventually became a church pianist.


Charles A. “Charley” or “Cobbie” Cobb
Cousin of Samuel C. Fenton

In the footsteps of my Fenton ancestors, I briefly majored in piano performance at the undergraduate level at Indiana University before switching to English, and I performed clarinet in ensembles of the IU Department of Bands for nine years, while earning my bachelor’s, master’s, and doctorate degrees. Whenever the Marching Hundred performed a march by Sousa or Fred Jewell, I felt transported back to the era of my Fenton ancestors. When the Summer Concert Band entertained the crowd beside Showalter Fountain, I thought of Cobbie’s Band on July evenings bringing smiles to faces while the fireflies flew.

Charley Cobb Holding Tuba in Center of Back Row


Cobbie’s Band, with Charley Cobb Kneeling in Center,
Cousin Claire Rhode Standing Toward Right,
Guy Blind Fourth from Right in Back Row, Decoration Day 1901


Cobbie’s Band, Charley Cobb with Back Toward Camera


Pine Village, Indiana, Sheet Music, Courtesy Indiana Historical Society